perspicax

 

 

 

Perspicaciousness or "getting it" is an understanding of things that leads to clarity “Not getting it” comes from faulty generalizations when adapting to new situations. “Getting it” goes beyond facts or even being able to explain them. It’s the moment when the pieces click into place, when understanding turns into realization -- the difference between knowing the definition of a metaphor and suddenly recognizing how the metaphor reshapes your perspective.


Jocelyn Allen

Véronique Béland & Julie Hétu

Sara Bezovšek

Catherine Boisvenue Ménard

Laurent Bouchard

Xavier Dallet

Joseph DeLappe

Negin Ehtesabian Lichty & Patrick Lichty

Nika Fontaine

Katherine Frazer

Valéry Grancher

Andy Heck Boyd

Renata Janiszewska

Faith Holland, Ben Bogart & Hildegard Holland Watter

Dina Kelberman

Mark Klink

Jess MacCormack

Andres Manniste

Mikelle Männiste

Alessandro Mangiarotti

Katherine Melançon

Petra Mueller

Lynn Millette

Nico

Elisabeth Nicula

Alexander Pillis

Bianca Shonee Arroyo-Kreimes

Jan Swinburne

Systaime

Céline B La Terreur

Cynthia Lund Torroll

Shaoul Yahuda

Kerimbonia

 

What is the Wrong Biennale?

The Wrong Biennale is an independent, non-profit, multicultural, decentralized, and collaborative art biennial created to showcase digital art to a global audience, and now grown into a massive international community and a reference in the digital art scene.

The Wrong brings together established, emerging, and underrepresented artists and curators to explore creativity and contemporary digital art in a positive and constructive environment, presenting a diverse range of styles and mediums to a global audience, promoting inclusivity and encouraging cultural growth and experimentation.

Held every two years, The Wrong Biennale connects curators, artists, institutions and the public, to build an exhibition of exhibitions, earning widespread recognition and accolades from the global press, art community, and public.

 

perspicax